Contact and Response: Cultural Consciousness in Post-Maoist Chinese Art and Cinema 1983-87

Screenshot 2025-03-31 at 5.43.40 PM.png
Screenshot 2025-03-31 at 5.45.14 PM.png
Screenshot 2025-03-31 at 5.41.59 PM.png
Screenshot 2025-03-31 at 5.41.15 PM.png
Screenshot 2025-03-31 at 5.44.33 PM.png
Screenshot 2025-03-31 at 5.44.52 PM.png
Screenshot 2025-03-31 at 5.44.42 PM.png
Screenshot 2025-03-31 at 5.40.01 PM.png
Previous

Beyond the Public/Private Divide: Global Corporate Art Museums and Discursive Power
Next

Caméra Stylo-Flourishing on the Borderline: The “In-Between-ness” in Tang Shu Shuen’s The Arch 1969